Band: Pink Floyd -
Album The Wall

Released in 1979
Disc 1
In The Flesh?
The Thin Ice
Another Brick In The Wall (Part I)
The Happiest Days Of Our Lives
Another Brick In The Wall (Part II)
Mother
Goodbye Blue Sky
Empty Spaces
Young Lust
One Of My Turns
Don't Leave Me Now
Another Brick In The Wall (Part III)
Goodbye Cruel World
Disc 2
Hey You
Is There Anybody Out There?
Nobody Home
Vera
Bring the Boys Back Home
Comfortably Numb
The Show Must Go On
In The Flesh
Run Like Hell
Waiting For The Worms
Stop
The Trial
Outside The Wall
Recorded between April and November 1979
in Super Bear Studios, France
CBS, New York
Producers' Workshop, Los Angeles
Produced by David Gilmour, Bob Ezrin, Roger Waters
CO-producer and engineer: James Guthrie
Engineers: Nick Griffiths, Patrice Quef, Brian Christian, John Mclure, Rick Hart
Orchestra arrangements: Michael Kamen, Bob Ezrin
Sound equipment: Phil Taylor
Sleeve design: Gerald Scarfe, Roger Waters
Roger Waters constructed The Wall, a narcissistic, double-album rock opera about an emotionally crippled rock star who spits on an audience member daring to cheer during an acoustic song. Given its origins, it's little wonder that The Wall paints such an unsympathetic portrait of the rock star, cleverly named "Pink," who blames everyone — particularly women — for his neuroses. Such lyrical and thematic shortcomings may have been forgivable if the album had a killer batch of songs, but Waters took his operatic inclinations to heart, constructing the album as a series of fragments that are held together by larger numbers like "Comfortably Numb" and "Hey You." Generally, the fully developed songs are among the finest of Pink Floyd's later work, but The Wall is primarily a triumph of production: Its seamless surface, blending melodic fragments and sound effects, makes the musical shortcomings and questionable lyrics easy to ignore. But if The Wall is examined in depth, it falls apart, since it doesn't offer enough great songs to support its ambition, and its self-serving message and shiny production seem like relics of the late-'70s Me Generation.
Guests:
Bruce Johnston, Toni Tennille, Joe Chemay, John Joyce, Stan Farber, Jim Haas and pupils from Islington Green School Choir.

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