What are the thoughts of those of you with more experience and knowledge?
pick guard removal Improving tone
#1
Posted 16 March 2005 - 10:44 PM
What are the thoughts of those of you with more experience and knowledge?
#2
Posted 17 March 2005 - 01:38 AM
This post has been edited by cheguevara_007: 17 March 2005 - 01:41 AM

I've been here since 11/06/01 and I've never been a GTUer of the month. It's 08. I rock.
"The Man" is most likely your next door neighbor
#5
Posted 17 March 2005 - 10:02 AM
What are anyone's thoughts on changing the bridge pins? Brass? bone? or anything else?
#6
Posted 17 March 2005 - 10:17 AM
What are anyone's thoughts on changing the bridge pins? Brass? bone? or anything else?
Changing out your bone to something like TUSQ or maybe even bone is the fastest and cheapest way to make a differance in the sound of a beater guitar.
BUT shapeing and setting can become an involved pain in the butt.
#8
Posted 17 March 2005 - 12:24 PM
#9
Posted 17 March 2005 - 01:49 PM
Anyway, brass bridge pins don't help any. I asked that one too. A bone nut may help a bit.
I have added an ivory nut and bridge to the guitar which did help the sound. I have a friend that had obtained several pieces too many and gave these to me. I'm just looking for a little extra and my thoughts turned to the pins and pick guard. Maybe I am just over thinking this.
This post has been edited by olduvai: 17 March 2005 - 03:18 PM
#10
Posted 17 March 2005 - 03:54 PM
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#12
Posted 17 March 2005 - 04:52 PM
Have you actually used Elixirs? They have the brightest poppingest sound of any string on the market. They stay sharper for longer than any other too.
Those strings add $500 to the value of any guitar. Also check out their user-artist list and explain to me why any of them (including tommy emmanuel) would use a string that has a deadened sound for it to last longer? (It's not like they can't afford the new strings).
#13
Posted 17 March 2005 - 05:16 PM
Have you actually used Elixirs? They have the brightest poppingest sound of any string on the market. They stay sharper for longer than any other too.
Those strings add $500 to the value of any guitar. Also check out their user-artist list and explain to me why any of them (including tommy emmanuel) would use a string that has a deadened sound for it to last longer? (It's not like they can't afford the new strings).
I have used Elixirs Nanoweb light strings. In fact, I am so new to guitar that I am on my first set of strings and they need to be replaced. I have no experience with any of the other brands for this guitar and will compare and see which I prefer both for feel and sound. I am not dissatified with their sound which, I guess, is why I started this posting considering the pick guard removal and then changing the bridge pins.
#14
Posted 17 March 2005 - 06:54 PM
Have you actually used Elixirs? They have the brightest poppingest sound of any string on the market. They stay sharper for longer than any other too.
Those strings add $500 to the value of any guitar. Also check out their user-artist list and explain to me why any of them (including tommy emmanuel) would use a string that has a deadened sound for it to last longer? (It's not like they can't afford the new strings).
I was one of Elixir's "test market guitarists" before they went on the market about ten or twelve years ago. I was identified through purchasing habits and information at guitar shops, etc as the owner/player of a number of both acoustic and electric guitars. Elixir (whom I'd never heard of before) sent me a letter asking if I would be part of a year-long survey of test-users, and then sent me four groups of three sets each group. Two guages for acoustic and two for electric. A total of twelve sets. At the end of the year I filled out their questionaire and then gave a brief opinion of their strings. Basically: that they were very good strings, and while in my opinion they were not as powerful as equivelent guage un-coated high-quality 80/20 and phoshphor-bronze strings on the market, they held up a great deal longer by far and that for most guitarists who didn't change their strings after every six playing-hours (which I did at that time) they were a very good value (estimated price to be $15-$20 US). I still buy them sometimes for guitars I have that I don't play so often because they hold up so long and still give good tone without having to change them every month or so, played or not. I use Elixirs on my Taylor, which I play only occasionally. I wouldn't dream of putting them on my 1934 Gibson "The Jumbo" which is my "number-one" guitar.
On the "lets get real" side. They could use ads of me swearing to the world that I use strings of licorice for the right price. And like I said, Elixirs are good strings anyway. But to me, not the best for the best tone NOW (as opposed to six weeks from now). Just my opinion. And using the same logic as above, I too can easily afford to buy any strings I want as often as I want (I buy most strings by the case) and I TOTALLY hate changing strings. Why would I NOT use Elixirs on all of my guitars if I thought they were the best sounding? I don't want to sound like Tommy Emmanuel anyway. Too balanced and contemporary sounding for what and how I play. And if you plug in acoustically, it really matters very little if you use Elixirs, or D'Addarrio Phosphor-bronze (or licorice), the sound comes from electronics anyway. But it's all just different opinions. And that's mine.
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#15
Posted 18 March 2005 - 06:03 AM
What are anyone's thoughts on changing the bridge pins? Brass? bone? or anything else?
Most lower end acoustics have plastic (or some other cheap material) saddles.
After playing a while, the strings tend to 'cut' into it, causing a loss in sustaining of notes . I put in a 'TUSQ' saddle that didn't set me back financially & it made a world of difference to the guitar's tone.
The clock of life is wound but once
And no man has the power to tell just when the hands will stop at late or early hour
Now is the only time you own
Live, love, toil with a will
Place no faith in time
For the clock may soon be still

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