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Why are acoustic guitar impossible to play in high frets
#3
Posted 24 May 2005 - 05:37 PM
I have a cutaway on one of mine and the other I normally just play with it flat to my lap when I want to reach up past around the 12th fret. Why do you have to go that high anyway, no sustain up there on an acoustic so it's kinda pointless I would think.
#4
Posted 24 May 2005 - 05:39 PM
QUOTE (spacecrumbs @ May 24 2005, 03:37 PM)
I have a cutaway on one of mine and the other I normally just play with it flat to my lap when I want to reach up past around the 12th fret. Why do you have to go that high anyway, no sustain up there on an acoustic so it's kinda pointless I would think.
yep.
just put everything an octave lower, or put it in a different key. it seems simple to me...

Don't fool yourself, she was heartache from the moment that you met her.
#7
Posted 26 May 2005 - 04:21 AM
I find anything on the E, A or D a bit difficult much beyond the 17th fret (well, nigh on impossible in fact!) I can get those notes elsewhere but I'm never, or at least hardly ever, up there anyway.
I'm interested to hear what sort of stuff you're playing though. Are you trying to play some screaming electric stuff on your acoustic? If you are, don't it won't work! What will work and sound good though is to take some of the advice earlier and modify what you're playing to suit. Drop it down an octave, just change the bit that needs changing..muck around with it etc.
Of course, you may be playing some real fiddly acoustic or classical pieces, in which case good luck to you! I'd still like to hear what they are though.
I'm interested to hear what sort of stuff you're playing though. Are you trying to play some screaming electric stuff on your acoustic? If you are, don't it won't work! What will work and sound good though is to take some of the advice earlier and modify what you're playing to suit. Drop it down an octave, just change the bit that needs changing..muck around with it etc.
Of course, you may be playing some real fiddly acoustic or classical pieces, in which case good luck to you! I'd still like to hear what they are though.
#10
Posted 27 May 2005 - 08:49 AM
QUOTE (billy16 @ May 26 2005, 10:59 AM)
I don't use my higher frets very often. The cutoff is about 12. I'd get a cutaway, but I really don't like the way those look.
I know what you mean - I have a Maton cutaway, but it frightens me to have to look at something so non symetrical. Did I mention I have a phobia about non-symetrical things?
All kidding aside if you use a cutaway and it has a really good action, it can't be beat. It's easier, not harder, to play high up on the neck if you think about it. All the frets are right under your nose so to speak, and less energy is used playing these notes because your arm is not stretched out. Am I making sense?
#11
Posted 30 May 2005 - 06:58 AM
QUOTE (diebrucke @ May 27 2005, 08:49 AM)
QUOTE (billy16 @ May 26 2005, 10:59 AM)
I don't use my higher frets very often. The cutoff is about 12. I'd get a cutaway, but I really don't like the way those look.
I know what you mean - I have a Maton cutaway, but it frightens me to have to look at something so non symetrical. Did I mention I have a phobia about non-symetrical things?
All kidding aside if you use a cutaway and it has a really good action, it can't be beat. It's easier, not harder, to play high up on the neck if you think about it. All the frets are right under your nose so to speak, and less energy is used playing these notes because your arm is not stretched out. Am I making sense?
Aye, but not much fun if you've got fingers like mars bars.
#12
Posted 31 May 2005 - 05:47 AM
QUOTE (deamhain @ May 30 2005, 01:58 PM)
QUOTE (diebrucke @ May 27 2005, 08:49 AM)
QUOTE (billy16 @ May 26 2005, 10:59 AM)
I don't use my higher frets very often. The cutoff is about 12. I'd get a cutaway, but I really don't like the way those look.
I know what you mean - I have a Maton cutaway, but it frightens me to have to look at something so non symetrical. Did I mention I have a phobia about non-symetrical things?
All kidding aside if you use a cutaway and it has a really good action, it can't be beat. It's easier, not harder, to play high up on the neck if you think about it. All the frets are right under your nose so to speak, and less energy is used playing these notes because your arm is not stretched out. Am I making sense?
Aye, but not much fun if you've got fingers like mars bars.
I'm sure you can get a file in a local hardware store
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And no man has the power to tell just when the hands will stop at late or early hour
Now is the only time you own
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Place no faith in time
For the clock may soon be still
#13
Posted 31 May 2005 - 06:18 AM
If I get a custom luthier guitar one day, it won't have any cutaway. I don't think I need one, I rarely go outside the 12th fret, hardly beyond the 17th. I don't need anything more than 19. The 19th fret is there to check intonation, and that's it. For me.
"Grzeg (...) spending years in the Vistula River Delta picking Miss Takamine with a bottle-neck on his finger!)" - Dadfad

New track - Mister Sandman
New track - Mister Sandman
#14
Posted 06 June 2005 - 07:19 PM
maybe your just not that great at acoustic guitar
cutaways are ok, depending on what you are playing in terms of styles. If you are doing some crazy stuff django reinhardt then you would probably like a cut away acoustic or full hollowbody single cut acoustic. I tend to never go past the 12 fret even playing slide stuff. I heard cutaways go out of tune easier, is that true?
#15
Posted 11 June 2005 - 11:31 AM
dont think so. i have a cut away and i dont even use anything past the 12th fret really. IMO, if your playing the high frets, it should be played on electric......with heavy distortion.....mmmmm
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