I'm looking for a chord sequence to put some lyrics to, i can learn any new chords as long as they dont have a finger bar, because i havent nailed that yet. So something kinda soft and smooth any suggestions?
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Simple Chords sequence? Any help please?
#2
Posted 04 May 2006 - 05:02 PM
A few maybe. James Taylor was fond of using add9 chords sometimes, like Eadd9 (024100) and Add9 (X02420). You might try an E progression using Eadd9 to Aadd9, to Eadd9 to Aadd9 to B9 (X21222) and then back to Eadd9. Or in the key of A try Aadd9 to Dmaj7(X00222) to Aadd9 to Dmaj7 to Eadd9.
Messing with minors more, maybe try an Am9 (and this can be a twister at first to hold for a lot of people, myself included!) X02413 to Am (X02210) to Dm (X00231) and back to Am9. (You can start off more easily using just a simplified Am add9 (X02410) until your fingers get used to it a bit.)
Maj7's are kind of pretty. Like Amaj7 X02120 to Dmaj7 X00222 to E7 020100 and back to Amaj7.
Using modal suspended-type chords like A (X02220) to A 6/9sus4 (X04430) to Esus4 (X06650) and either return back down the neck again, or to a simple E7 (020100). And then back to an A or Amaj7.
Take this SHAPE... X2122X held XMIRPX (which happens to be a B9) and try that same SHAPE in different places up and down the neck for a slightly jazzier feel.
Anyway, there are a few ides for some relatively easy (well, not that Am9 maybe!) chords that give a smoother of softer kind of feeling. JUst experiment around with them in different orders, rhythms, etc until you find something you like. Hope that gives you a few ideas.
And welcome to GTU.
Messing with minors more, maybe try an Am9 (and this can be a twister at first to hold for a lot of people, myself included!) X02413 to Am (X02210) to Dm (X00231) and back to Am9. (You can start off more easily using just a simplified Am add9 (X02410) until your fingers get used to it a bit.)
Maj7's are kind of pretty. Like Amaj7 X02120 to Dmaj7 X00222 to E7 020100 and back to Amaj7.
Using modal suspended-type chords like A (X02220) to A 6/9sus4 (X04430) to Esus4 (X06650) and either return back down the neck again, or to a simple E7 (020100). And then back to an A or Amaj7.
Take this SHAPE... X2122X held XMIRPX (which happens to be a B9) and try that same SHAPE in different places up and down the neck for a slightly jazzier feel.
Anyway, there are a few ides for some relatively easy (well, not that Am9 maybe!) chords that give a smoother of softer kind of feeling. JUst experiment around with them in different orders, rhythms, etc until you find something you like. Hope that gives you a few ideas.
And welcome to GTU.
Un-plugged is not the same as
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#4
Posted 05 May 2006 - 02:02 AM
QUOTE (ezekiel666 @ May 4 2006, 01:14 PM) <{POST_SNAPBACK}>
I'm looking for a chord sequence to put some lyrics to, i can learn any new chords as long as they dont have a finger bar, because i havent nailed that yet. So something kinda soft and smooth any suggestions?
Well then start working on that barre because you'll be severely limited. Certain jazz chords don't use barre up the neck but requires other things like muting certain strings while holding down the chord so they can be tough also if you are not used to it.
Do you know these chords in the first position?
C D E F G A Dm Em Fm Gm Am C7 D7 E7 G7 A7 Dm7 Em7 Am7? You can pick from these and make something up.
Then learn to play the same chords using barre chords up the neck, so effectively giving you at least two places to play the same chord.
Check out http://www.guitarprinciples.com there is a lot of info there on how and what to practice.
#5
Posted 06 May 2006 - 07:30 PM
C Am F G man you can't go wrong with that ######
Then get a capo and use it in every song in different keys haha
Nah that progression has been used by Dylan etc, and its the base for so many great songs
I like Cadd9, like the previous learned gentleman was talking about, you can get some nice variations like that
Simon and Garfunkel used to use a lot of minor 7th chords (I think) or something
Trial and error man
Then get a capo and use it in every song in different keys haha
Nah that progression has been used by Dylan etc, and its the base for so many great songs
I like Cadd9, like the previous learned gentleman was talking about, you can get some nice variations like that
Simon and Garfunkel used to use a lot of minor 7th chords (I think) or something
Trial and error man
...burning in heaven my destiny lies, when she read my stars she didn't mention that night...
#7
Posted 07 May 2006 - 04:34 AM
I like progressions like this where you've got some pedal tones going on:
CODE
Cadd9 Em7 G A7thsus4
E|--3--------3------3-----3--|
B|--3--------3------3-----3--|
G|--0--------0------0-----2--|
D|--2--------2------0-----2--|
A|--3--------2------2-----0--|
A|------------------3--------|
E|--3--------3------3-----3--|
B|--3--------3------3-----3--|
G|--0--------0------0-----2--|
D|--2--------2------0-----2--|
A|--3--------2------2-----0--|
A|------------------3--------|
The Modulator
QUOTE
"I admire HMB's ability to waffle around the issue all day long without giving an opinion either way." - Richey
#9
Posted 14 May 2006 - 02:31 PM
There is also something called the circle of fifths. This can guide you in progressions pretty well.

The outside ring is major chords and the inside ring is minor.
Basically how it works in the most basic sense is you pick a key that you want to play a song in. In this example we will use C major. The five chords surrounding C major; F major, D minor, A minor, E minor, and G major, and then C major of course will sound good in progressions. Therefore you can use a C, Dm, Am, G progression. It is a good tool to use and memorize when writing songs.
And then of course you use variations in the chords 7ths, major 7ths, 9ths, add9s, sus4s and so on to give it more color

The outside ring is major chords and the inside ring is minor.
Basically how it works in the most basic sense is you pick a key that you want to play a song in. In this example we will use C major. The five chords surrounding C major; F major, D minor, A minor, E minor, and G major, and then C major of course will sound good in progressions. Therefore you can use a C, Dm, Am, G progression. It is a good tool to use and memorize when writing songs.
And then of course you use variations in the chords 7ths, major 7ths, 9ths, add9s, sus4s and so on to give it more color
This post has been edited by Ted Zeppelin: 14 May 2006 - 02:34 PM
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