effects too many?
#1
Posted 27 December 2007 - 03:32 AM
the bass player in my band has just informed me that for xmas he has got a couple of new pedals. so we're now looking at him having, and he will use them all, possibly getting close to using them all at once, distortion, chorus,flange,bass synth(thats a new once)eq and wah. now granted using effects can be cool and something new but sometimes i feel like it takes the feel away from the bass, and it aint a bass wah, its a guitar wah so when he uses it the bottom end falls out, and this guy is like the kirk hammett of bass, he's never off the thing.
so do i let him go, or do i need to reel him in before it gets even more out of hand?
#2
Posted 27 December 2007 - 08:37 AM
"I’m not a virtuoso guitar player. A virtuoso can play anything and I can’t. I can play only what I know, to the extent that I have developed enough manual dexterity to get the point across..." - Frank Zappa
#3
Posted 27 December 2007 - 08:59 AM
#4
Posted 27 December 2007 - 09:57 AM
any time there is a bass break he'll either step on the wah or the flanger, and thats with the chorus and distortion already on!
Oh I agree, you have to be careful with the effects. I usually start with an effect on my amp and then I usually lower the level of it until it's just adding a bit of flavor instead of taking over the sound. I think you'll have to gang up on him and explain that it's not helping his sound.
I would really like to hear what this is like.
"I’m not a virtuoso guitar player. A virtuoso can play anything and I can’t. I can play only what I know, to the extent that I have developed enough manual dexterity to get the point across..." - Frank Zappa
#5
Posted 27 December 2007 - 10:00 AM
Sure a little bit of effect can do a lot to improve a song but it has to be done with taste and ultimatly the goal os to help the song and it should never be used to promote the player. In my view, with many effects (especially if they are all on at the same time) anybody can pose as a good player. The sad thing is that most of the times they sound horrible.
So yes reel him up, clean him and fry him
Owner of the "Get your dog to tell others to play xyz brand" trademark. ;)
#6
Posted 27 December 2007 - 10:36 AM
any time there is a bass break he'll either step on the wah or the flanger, and thats with the chorus and distortion already on!
Oh I agree, you have to be careful with the effects. I usually start with an effect on my amp and then I usually lower the level of it until it's just adding a bit of flavor instead of taking over the sound. I think you'll have to gang up on him and explain that it's not helping his sound.
I would really like to hear what this is like.
ill need to look out some recordings and try find a good example.
Sure a little bit of effect can do a lot to improve a song but it has to be done with taste and ultimatly the goal os to help the song and it should never be used to promote the player. In my view, with many effects (especially if they are all on at the same time) anybody can pose as a good player. The sad thing is that most of the times they sound horrible.
So yes reel him up, clean him and fry him
he aint been playing that long, well i say that its probably a couple of years now, but i think he probably does hide behind his effects a bit. and i remember him saying something along the lines of he's sick of bass taking a back seat and was going to put it to the fore front.
sometimes when i listen to him the distortion and chorus aint that bad together, its the damn flange and wah that annoys me. and now hes got a bass synth. im really dreading to hear how this is gonna go.
do you guys use any effects?
#7
Posted 27 December 2007 - 11:38 AM
Owner of the "Get your dog to tell others to play xyz brand" trademark. ;)
#8
Posted 27 December 2007 - 11:49 AM
"I’m not a virtuoso guitar player. A virtuoso can play anything and I can’t. I can play only what I know, to the extent that I have developed enough manual dexterity to get the point across..." - Frank Zappa
#9
Posted 27 December 2007 - 01:28 PM
However envelope filters are my guilty pleasure, squeeaaaalch.
#10
Posted 29 December 2007 - 01:34 PM
Bass "effects", at least to me, are a huge waste of time (and) money. The only "effect" I use on a constant basis is a compressor in my rack, although I have (on occasion) used a WEE bit of chorus (let me stress the word WEE!)
Back in the early 80s I tried a deal called "bass balls"....it was a cute little novelty, but just that - a novelty.
We (bass players) sometimes are guilty of trying too hard to pass ourselves off as "guitarists"......I am not. I play bass. I TOLERATE my guitar player. period. The onlly reason HE is around is because he has a van.....
RF

#11
Posted 29 December 2007 - 02:06 PM
Lead Singer: No effects
Drummer: No effects
Bass: Chorus, Flange, EQ
Lead guitar (me): Distortion, Chorus, Wah, Noise Reducer (sometimes I cheat and just use my digitech effect board for distortion and wah, but rarely anymore)
Rhythm guitar: Distortion, Wah, chorus
It's not really a set rule, but we like to keep the sound as original as possible, and keep floorspace at it's maximum while keeping cords at their minimum. The Bassist is a sucker for effects, so we sometimes let him loose for a few minutes and let him have fun, but he keeps himself in check when it comes to practicing and performing actual songs...
#13
Posted 31 December 2007 - 12:49 PM
http://quicksilversc...tch?video=16747
What even more important is the little interviews and rap sessins about how they approached each song.
#15
Posted 13 March 2008 - 07:02 AM
So for example, in the chorus which may be louder, the bass effects should be kept to a minumum to reinforce the actual bassline of the piece. When the bassline is not needed as much, then the bassist could have a little fun with a wah, even playing along the melody for no more than a few bars with an interesting effect.
I use a Digitech BP80 with a couple of different amp modelings for different pieces (e.g. for older pieces, I may want a classic Bassman sound, wheras in other pieces I will select something brighter or more compressed). I've actually forgotten about chorus, phaser, etc. for my bass playing in the band... I might do a bit of experimentation next week.
The last few weeks, I've brought my stack to practices - and the difference is amazing. The whole band is held together now (I used to use a 35W combo). Everybody noticed how much difference it made. Now I can add a few effects without compromising the low frequencies...
_______________________________________
The Three Stages of Coffee Aroma Experience:
1. You smell them from the grinder.
2. You smell them in your brewed cup.
3. You smell them leaving...
#16
Posted 13 March 2008 - 06:35 PM
In terms of what effects bass should have, I think it all depends on the overall sound of the band. A local band, that happen to be one of my favourites, use an awful lot of effects, bassist included. If he were with any other band it would sound out of place, but in the context of this particular group I think it works very well.
Recently I've been yearning for a good distortion pedal so I can try to rip off Death From Above 1979.
#17
Posted 07 April 2008 - 04:49 PM
you probably haven't heard of these guys, but the band These Arms Are Snakes (seattle band, not really sure how to classify their kind of rock, look 'em up) uses effects to their advantage. their bassist plays a bass and a synth, and uses a ton of effects. he writes some really cool bass lines, but when you see them live, you see how much skill it takes to use the effects as well as he does.
effects are something your bassist should be using to add to the song, not to just make himself look cool. if he wants to put bass at the front, that's cool, too, but if he can't play well enough to do it successfully, he's just making the whole band look bad. this is kind of an old thread, but if you read this, let us know how things go, whether you guys convinced him to back off the effects or if you just let it slide.
#18
Posted 02 July 2008 - 12:18 PM
you probably haven't heard of these guys, but the band These Arms Are Snakes (seattle band, not really sure how to classify their kind of rock, look 'em up) uses effects to their advantage. their bassist plays a bass and a synth, and uses a ton of effects. he writes some really cool bass lines, but when you see them live, you see how much skill it takes to use the effects as well as he does.
effects are something your bassist should be using to add to the song, not to just make himself look cool. if he wants to put bass at the front, that's cool, too, but if he can't play well enough to do it successfully, he's just making the whole band look bad. this is kind of an old thread, but if you read this, let us know how things go, whether you guys convinced him to back off the effects or if you just let it slide.
They have a good bass player. He plays with Russian Circles too.
#19
Posted 11 July 2008 - 10:03 PM
Rules were meant to be broken.
Lately I've been gigging with two pedals just because I... (insert long list of justifications) and I found a pedal that is useful and sounds cool. Along with my Boss "Bass Synthesizer" that I've had in my bag for years I recently acquired a Boss Octaver.
A lot of tunes go lower than my four string will allow and I refuse to use a 5 string. I played a Yamaha 5 string for a year when they first became popular and I found myself avoiding the low string cause it felt & sounded dead to me. So this pedal was gonna give me the extra range.
It sounds really cool in a variety of applications and I started realizing that the sound is used all the time on records by the likes of Rage Against the Machine. It does't track well when you play lower than "C" (third fret on the A string) though.
I see that Boss makes one for bass specifically. I've not tried it. Mine is vintage I'm told. I guess they call them "Super Octave" now or something.
Anyway I guess my point is the right pedal is worth breaking the rule for if it adds to the musicality as opposed to "subtracts from the mix" as many pedals do.
-and all for the sake of having buttons to push like all the cool kids.
So I just need that one pedal . And that's all I need ....and my "Bass Synthesizer" pedal. And that's all I need too! ...
....I need my Big Muff!!!
As far as distortion for bass I've never heard it sound good live but it has been used to good effect on many recordings. Check out Shotgun Messiah's "Second Coming". I got a chance to talk to those guys. They ran the bass through a Marshall Stack using an Eventide harmonizer on the record but on the gig it was straight into an SVT all the way. I don't have the effects chain details for the recording but WOW, this is the holy grail of Bass overdrive.
Give you're boy a chance. If it sounds crappy tell him. It's not like you're insulting his mother or something.
This post has been edited by HardRockStar: 11 July 2008 - 10:10 PM

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