Beginners progress frustration, elation, despair and hope
#1
Posted 13 April 2004 - 05:22 AM
Anyway, on a positive note: I'm starting to get a bit comfortable with trying some singing as I go. Mostly just on basic, 3 chord, accompaniments but I'm enjoying it. I've sung before so that side's not too bad but trying to do them both is a challenge. Like most blokes, multi-tasking isn't my forte - I can just about walk and fart at the same time!
I've been experimenting over the weekend with chords doing the bass-strum stuff and some arpeggio picking, we'll see how that comes along!
Lessons start in a weeks time so maybe some assistance on the barre chords is coming.
Watch this space for another gripping installment of Beginners Progress in a few weeks.
Cheers
Bob
#3
Posted 13 April 2004 - 06:22 AM
#4
Posted 13 April 2004 - 07:42 AM
#5
Posted 13 April 2004 - 08:57 AM
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#6
Posted 13 April 2004 - 09:12 AM
Sticking with it is what will make you a guitar player. Some people could have been awesome, but put the guitar down instead...
T^roy

Imagination is more powerful than any knowledge-Einstein
GTU Member of the week July 19, 2004, 875 posts
There is a fine line between insanity and genius and I think i crossed it...but what side I am on is still unclear.
#7
Posted 13 April 2004 - 11:50 AM
Thanks for that. It put a wry smile on my face and gives me a bit of motivation. With anything feedback is important to judge progress. One of the reasons I'm starting lessons is to have someone who can help me set realistic short, medium and long-term goals. At present I may be setting unrealistic short and medium term ones and run the risk of demotivating myself if I'm not careful.
[QUOTE]Also sounds like you are trying too many new things at one time..
Panic ye not - I'm only 'tasting' different bits and pieces, not trying to master them all at once.
Cheers again
#8
Posted 13 April 2004 - 11:49 PM
Some advice on singing and playing ... just start out playing each chord once while singing the song. When I start on a new song I still start this way. It helps get the timing down and you get to know when to change chords.
as far a chord changes ... this is wat helped me the most. STOP THINKING!!!
Sit a watch TV and just strum and change chords at random. you'll also come up with some chord progressions that you'll think are cool too. Just remember to use the chords you are worst at more i.e. B and F.
and I cheat my F ... I do it 033210 instead of 003211
Hope this help you as much as it did me
PEACE
Duncan
#9
Posted 13 April 2004 - 11:59 PM
the thought that something could challenge you, well it baffels me. and scares me at the same time.
but anywho, good luck w/ the playing. we've all felt like that starting off, but we all keep chuggin along, and the playing gets easier and better. the lessons will help a lot.

yeah, he's that cool
#10
Posted 14 April 2004 - 01:55 AM
and I cheat my F ... I do it 033210 instead of 003211
Hope this help you as much as it did me
PEACE
Duncan
Don't worry about the guitar or the walls - I throw it very very gently!
You've got me confused on the 'F' though. I've been working on 133211 (I think?!). Maybe that's why I can't manage it. Maybe it's a different 'F' - I haven't got my head round all these 7ths and Sus's etc yet.
003211 wouldn't be a problem. I can put down and hold 033211 without too much difficulty, it's just trying to get that 1st fret on the E without the base of the finger lifting off the trebles that's a bit beyond me just now. Working on it!
Cheers
Bob
#11
Posted 14 April 2004 - 09:23 AM
Troy
This post has been edited by wannalearn01: 14 April 2004 - 09:25 AM

Imagination is more powerful than any knowledge-Einstein
GTU Member of the week July 19, 2004, 875 posts
There is a fine line between insanity and genius and I think i crossed it...but what side I am on is still unclear.
#12
Posted 14 April 2004 - 10:18 AM
1033211...like this....
TORPMI
Using the thumb on the 6-string can make barre-chords easier. Generally a full six string chord isn't required, just either a bassier chord or a treblier chord. On the F, that open 5-string (A) is a note contained in an F-chord and so may be left open (or fingered, 133211, as desired)
Also.......
the thought that something could challenge you, well it baffels me. and scares me at the same time.......
The chords themselves generally aren't hard. The simple B-minor barre-chord 224432 is the basis for them all. Normally you could just barre the second fret with your index and hold....
224432 (or X24432) like this...
IIRPMI
The difficulty comes in that all the changes are made within the time-space of one bar of the progression. The index must be removed from the 5-string (while holding the 1, or the 1 and 3 for X04232) or vice-versa removed from the 1 while holding the 5. Also, the middle must be removed from the 2 while playing either the XX4402 and the X2440X. So it's not the complexity of the individual chords, but that they must be done sequentially and fluidly, as an ascending/descending fingerstyle line is being played within 4-count bar. Those B-forms are used in place of the D-chord (in a D progression) and move you into the G-position (in Dropped-D tuning). There really needs to be actually heavy concentration on the right-to-left-hand sequencing as you move. And, not get your fingers all tangled up in each other at the same time!
Everyone is always challenged. The challenge-level may change a bit with time and experience, but it never stops. Don't let it worry you. You'll overcome it, and then go for that next challenge.
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#13
Posted 14 April 2004 - 10:46 AM
Now I'm not going to mislead anyone here into thinking I'm a picker, the only folks I can impress are the total non pickers, but I'm workin on it.
I had been at it for a month or so, and could get through a few of the easier chords, and had found a few songs that used the chords that I could play.
I KNOW I can't sing worth a crap, but I thought I was doing a pretty fine job of playing those tunes and singing when there wasn't anyone around the house cept the pooch.
Well now boys and girls, that's when I decided to make a tape of myself. Damn, that almost brought tears to my eyes, and they weren't tears of joy. It was the most terrible excuse for music that I ever heard.
It was about a year later before I tried again. That was at least tolerable.
Time and perseverance, that's what it takes.
#14
Posted 14 April 2004 - 02:08 PM
Now I'm not going to mislead anyone here into thinking I'm a picker, the only folks I can impress are the total non pickers, but I'm workin on it.
I had been at it for a month or so, and could get through a few of the easier chords, and had found a few songs that used the chords that I could play.
I KNOW I can't sing worth a crap, but I thought I was doing a pretty fine job of playing those tunes and singing when there wasn't anyone around the house cept the pooch.
Well now boys and girls, that's when I decided to make a tape of myself. Damn, that almost brought tears to my eyes, and they weren't tears of joy. It was the most terrible excuse for music that I ever heard.
It was about a year later before I tried again. That was at least tolerable.
Time and perseverance, that's what it takes.
Been there, done that. Recording can be a reality check, but it's helpfull to know how your progressing.
#15
Posted 14 April 2004 - 02:43 PM
Dadfad, if I may ask, what are you trying(sorry) BUSY playing?
The clock of life is wound but once
And no man has the power to tell just when the hands will stop at late or early hour
Now is the only time you own
Live, love, toil with a will
Place no faith in time
For the clock may soon be still
#16
Posted 14 April 2004 - 02:43 PM
Now I'm not going to mislead anyone here into thinking I'm a picker, the only folks I can impress are the total non pickers, but I'm workin on it.
I had been at it for a month or so, and could get through a few of the easier chords, and had found a few songs that used the chords that I could play.
I KNOW I can't sing worth a crap, but I thought I was doing a pretty fine job of playing those tunes and singing when there wasn't anyone around the house cept the pooch.
Well now boys and girls, that's when I decided to make a tape of myself. Damn, that almost brought tears to my eyes, and they weren't tears of joy. It was the most terrible excuse for music that I ever heard.
It was about a year later before I tried again. That was at least tolerable.
Time and perseverance, that's what it takes.
yeah I recorded myself and I thought I sounded better then what I actualy sounded like but this helped me to fix up the parts that I thought were good that weren't. What I find fun is recording a riff of something and put it on loop and play with it.
#17
Posted 14 April 2004 - 05:07 PM
Dadfad, if I may ask, what are you trying(sorry) BUSY playing?
Lian, I'm trying to work on a tune that's fairly obscure. It's a tune called "The Truth Is On The Streets" written and recorded by a friend of mine, Paul Geremia (one of, if not the best traditional acoustic fingerstylists alive. Ask Adam or Cian for their opinion about how good he is). A version is on one of his CDs "Self Portrait In Blue". I have a little blurb about Paul on my profile web-page link below. Paul is as close to perfection in a traditional fingerstylist as I've ever seen or heard. He's expert in multiple styles and is sort of a "guitarist's guitarist". He spends more time honing his craft than promoting his career. I've been in a number of conversations with groups of very good trad-blues fingerstylists where the debate was "who is the best alive, John Jackson or Paul Geremia?" Of course Time settled the debate definatively two years ago with the passing of John. Anyway, should you ever get a chance to see or hear Paul play, by all means do so. You could not possibly be disappointed. (Like you would if you heard ME try to play the same tune!
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#18
Posted 15 April 2004 - 03:03 AM
1033211...like this....
TORPMI
Using the thumb on the 6-string can make barre-chords easier. Generally a full six string chord isn't required, just either a bassier chord or a treblier chord. On the F, that open 5-string (A) is a note contained in an F-chord and so may be left open (or fingered, 133211, as desired)
Wayhay!
I may, in the short-term, latch on to the statement that a full 6 finger chord is not normally required because I can manage with relative ease if I leave the E well alone. I'll keep practicing the full chord though as am not one to accept defeat so easily!
Thanks for the advice!
Bob
#19
Posted 15 April 2004 - 06:33 AM
never-was-plugged-in-to-begin-with.

John Jackson -My Teacher and My Old Friend
When the roll is called up yonder he'll be there
#20
Posted 15 April 2004 - 07:25 AM

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