Come as you are amp settings
#1
Posted 15 March 2005 - 11:18 PM
Anyway what are the amp settings kurt used for come as you are?
I got a behringer Vtone GMX210 and its tone dials are labelled with 1-10 on them so instead of bass at 1 o'clock i need numbersto set them on.
Also my amp has all these switches that are.
Switch 1 (AMP):tweed,britishcalifornian
Switch 2(MODE):clean, high gain, hot
Switch 3(SPEAKER):Flat, UK, US
ok thanks for you help
I also use effect 34 (a bassy chorus) on full frequency.
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
#2
Posted 17 March 2005 - 03:09 AM
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
#4
Posted 17 March 2005 - 09:59 PM
Thanks for that link it tells a lot but still doesnt say what amp settings are for come as you are.
Also What speaker setting?UK,US or Flat
And what mode?Californian,tweed or british?
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
#5
Posted 17 March 2005 - 11:25 PM
however, if you would look at his stomp boxes (pedals) he uses something called a sansamp classic, which is 100% analog circuitry modelling pedal (357$American Dollar, i'm guessing)
i think it can do those speaker setup with the mic axis, and the configs of them all
on top of that, amp modelling, like twin, tweed, cali, brit, mesa, whatever.
technyc21.com, or similiar.
but you might as well just try the setting yourself, nirvana's guitar tone wasn't a rock scientry, or whatever it's called.
it's not that i don't care, but some things will never change.
#6
Posted 18 March 2005 - 02:20 AM
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
#7
Posted 18 March 2005 - 02:21 PM
forgive me for saying this, but isn't come as you are just ordinary tube amp tone with low tune guitar with slight chorus effect, then in solo mode just ds-1 plus small clone chorus?
perhaps adding some of the mentioned effect will help you in the tone, i mean i own a ds-1, when i just set it to whatever, it does sound much like their second album, nothing hard about it.
try some sparkling clean, (black face?) with reverb and chorus for the intro, that's how i used to emulate the come as you are tones and other similiar dark and wobbly tones.
on my digitech rp200.
peace.
it's not that i don't care, but some things will never change.
#8
Posted 18 March 2005 - 06:44 PM
I have the tones on
BASS:5
MID:10
TREBLE:8
is that correct but I think it sounds to bassy
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
#9
Posted 18 March 2005 - 08:48 PM
I have the tones on
BASS:5
MID:10
TREBLE:8
is that correct but I think it sounds to bassy
i believe you will have to cut the MID under 5 or 6 to get that hollow but full (because of chorus effect) sound.
try that..
isn't rp50's chorus effect tweakable, unlike the behringer amp you have?
it's not that i don't care, but some things will never change.
#10
Posted 18 March 2005 - 11:00 PM
Plus I find the one on the digitech incorrect its to wobbly and is a digital chorus whereas this analogue chorus on my amp sounds so close to the real thing.
the MID at 5 helped a lot
it still sounds a bit bassy its weird because the chorus also throws in some bass on this amp.
I got
BASS:5
MID:5
TREBLE:8
also a question
If I had all my tones on 10 then put them all on 5 will it still be the same just with less volume
Edited by ILLaViTaR, 18 March 2005 - 11:09 PM.
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
#11
Posted 19 March 2005 - 12:17 AM
Plus I find the one on the digitech incorrect its to wobbly and is a digital chorus whereas this analogue chorus on my amp sounds so close to the real thing.
the MID at 5 helped a lot
it still sounds a bit bassy its weird because the chorus also throws in some bass on this amp.
I got
BASS:5
MID:5
TREBLE:8
also a question
If I had all my tones on 10 then put them all on 5 will it still be the same just with less volume
hehe, bro!
if it still sounds bassy, what would it help for it? you tweaked your MID, and that was good you say right? but still bassy...well turn it down more, or get rid of the bass or even tweak the treble, chorus adding bass eh?, well you said you could tweak the properties on chorus, maybe you could look into that also.
i find digital chorus to be not as good as the real thing, but phasers and flangers, can be emulated REAL close to the real analog one.
anyways, about the tone on 10 then putting them all on 5, don't nessasary mean less volume... don't really know what to say...
cos 10 on treb, and 5 on treb is major difference etc., in TONE wise but not nessassary gain, or volume. It might be sharper or fuller, sure, it might have some or large part in the gain or level of the whole sound, but imho, it's more of the character/color that is changed then the actual level of the sound,
but i also hear in guitar playing, that if the high's are boosted or mid or even bass on the fuzz pedal, the guitar sound gets louder "cuts through"(with the tone that is changed) and bigger and also fuller, also on the distortion pedal like ds-1, if the tone gets shifted to left (bassier) from treble, the volume drop is very noticeble..
i can't really give you a straight answer, sry.
it's not that i don't care, but some things will never change.
#12
Posted 19 March 2005 - 12:34 AM
Clean guitar + chorus is a good enough for verses, then just add a little bit of gain for the chorus parts.
If you can play it properly, no one is gonna care if the tone doesn't match the recording. They will care if the tone is identical, but you can't play it even half assed.

'Slow night in a Desolate City'
#13
Posted 19 March 2005 - 01:42 AM
Just one more thing are the chords in the memoriah part of the song F#major and A?
My guitar teacher said they were E and F#major I think
Fender Mexican strat Sunburst/maple
Cort Solid top Accoustic, fishman pickup
Marshall JCM 900 Dual Reverb 50watt Hi Gain combo (upgraded to Celestion G12 M Greenbacks and Class A conversion)
1985 Fender Telecaster 62 reissue (with some modern parts on it)
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