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[edit] Dream Theater: Images & Words
Released: 1992. (Dream Theater's second studio album). At the dawn of the 90s, the general quality of popular music took a huge hit. Nirvana and other grunge acts invaded the mainstream, killing any sort of chance any glam metal, thrash metal, speed metal, or any other metal act had of reaching a broad audience in the US. Still, that didn't stop the American prog-metal act Dream Theater from putting out top quality 80s metal styled progressive rock. They aren't the most popular band here, and yet they have a MASSIVE following, similar to the way Metallica was in the mid 80s. Images & Words is the first Dream Theater album to employ flawless production, superb musicianship, and excellent songwriting. While the first album When Dream & Day Unite (1989) was good, it's not until I&W when they really started coming together. Joining in is the vocalist James LaBrie, who sounds like a cross between Queensryche's Geoff Tate and Europe's Joey Tempest. This can be a good thing or a bad thing depending on your preference of how vocalists should sound like. Personally, I think he sounds great on all the tracks and he infuses so much passion into the music in a special way that would otherwise be impossible for other vocalists to do. John Petrucci does an excellent job with both guitar soloing and rhythm guitar playing. Kevin Moore employs the keyboards creatively, whether it be a background atmospheric texture or one of his cool 80s styled keyboard solos. The lyrics are very fitting for this type of music. They usually pertain to human emotion, not the typical topic of love which almost every band beats to death. When I first listened to this album, I thought I had died and gone to heaven. My favorite aspect about the band besides the tight musicianship is that these guys know exactly how to write very long songs in the correct way. Most songs on this disc average in around 7-8 minutes, but the key thing is that the songwriting is so impecable that the songs never seem to drag on. The tracks seem like they're shorter than they really are and when they are done, you feel satisfied for having listened to them. Their style falls somewhere between Whitesnake's guitar riffing and Rush's songwriting style. 1) Pull Me Under- A slow and melodic rocker clocking in at 7 1/2 minutes. Very engaging and of all the long tracks, the least progressive. Has a steady pace throughout. Keyboards certainly add a nice touch. 2) Another Day- A four minute ballad type song with a Kenny G type saxaphone solo towards the end (again, a good or bad thing depending on your preference). Pretty good, and LaBrie's vocals shine well. 3) Take The Time- This juggernaut progressive song alternates from a heavy rocker into different lighter sections, all the while being an entertaining rollercoaster-ride of a song. 4) Surrounded- Starts out and ends very lightly, and inbetween is a melidic rocker similar to something Misplaced Childhood-era Marillion would do. 5) Metropolis Pt. 1: The Miracle And The Sleeper- This 10 minute monster track takes the listener all over the place, with most of the vocals done at the beginning while the rest of the song consists of inventive sections of multiple time-change signatures. If you're first listening to Dream Theater, this track might seem overwhelming, but it also showcases the band in their creative prime. If you want to see what DT is all about, just hear this song. 6) Under The Glass Moon- Probably the heaviest track, but also one of the most melodic as well. On the first listen, this was my favorite song, though now I appreciate the others as well. The keyboards give this song an "out of this world" quality. 7) Wait For Sleep- Contrary to all the other tracks, this ballad is just barely over 2 minutes long. 8) Learning To Live- Closing this masterpiece album is the longest track which combines some of the styles used in the other tracks. This track was written by the bassist John Myung and he proves to be a talent in songwriting who was unfortunately overlooked in later albums. The combination of guitars and keyboards is arguably at its best here. Without a doubt, I&W is a masterpiece progressive metal album that belongs in any serious rock music collection. The band continues to make some outstanding albums throughout the 90s such as Awake(1994) and Metropolis Pt 2: Scenes From A Memory(1999), but to me I&W is their absolute peak in songwriting ability.
[edit] Index
Allman Brothers Band - Fillmore East A Perfect Circle - Thirteenth Step Alice Cooper - Welcome To My Nightmare
The Beatles - Sgt._Pepper's_Lonely_Hearts_Club_Band The Beatles - _Magical_Mystery_Tour Bootleg_Series_Vol._4:_Bob_Dylan_Live_1966:_The_"Royal_Albert_Hall_Concert" Broken Social Scene - _Broken_Social_Scene The Band - Music From The Big Pink
Dave Matthews Band - Under The Table And Dreaming Dream Theater - Images & Words
George Harrison - All Things Must Pass
Hawkwind - Doremi Fasol Latido
The Jeff Beck Group - Beck Ola The Jimi Hendrix Experience - Electric Ladyland John_Mayall's_Bluesbreakers - _Bluesbreakers_With_Eric_Clapton
King Crimson - Starless and Bible Black King Crimson - _In_the_Court_of_the_Crimson_King The Kinks -_The_Village_Green_Preservation_Society
Led Zeppelin - Led Zeppelin II Led Zeppelin - _Led_Zeppelin_III John Lennon - John_Lennon_/_Plastic_Ono_Band
The Mars Volta - De-Loused_In_The_Comatorium Manic Street Preachers - The Holy Bible
Neil Young - Tonight's The Night
Ozzy Osbourne - Blizzard Of Ozz
Pink Floyd - Dark Side Of The Moon Pink Floyd - A Saucerful Of Secrets
The Rolling Stones - Sticky Fingers The Rolling Stones - Aftermath The Rolling Stones - Their_Satanic_Majesties_Request
Steve Vai - Aliens Love Secrets
Yngwie Malmsteen - Marching Out
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