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Brad Nowellby Skunkx

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#1 angusyoungfan

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Posted 03 October 2003 - 12:46 PM

Hello and Welcome To Legends 26 Contributed by Skunkx .

Legends 26 is about the legendary ska punk reggae legend that is Brad Nowell


The Story of Sublime

Many rock stars have come and gone. Many had to work to become what they had dreamed of being when they were just young children. All their journeys are inspirational but one man has always stood out in my mind when I think of hard work, dedication, and inspiration for all aspiring musicians, the late Brad Nowell.

Bradley James Nowell was born on February 22, 1968, in Long Beach California. Brad was born with attention deficit disorder, a term used for kids like Brad who didn't live up to their potential. But Brad was very smart. He got good grades as a kid, and was smart enough to get his younger sister, Kellie, to do his homework for him when he didn't feel like doing it. His parents divorced when he was ten years old, and like many children he blamed himself. He lived with his mother, Nancy Nowell, in Orange county for four years.

In 1981, Brad moved in with his Dad, Jim Nowell. When Brad was eleven years old he took a trip to the Virgin Islands with his dad and heard the music of Bob Marley for the first time. This reggae music music would change his life. He loved the style and sound of music. When Brad came back from the Virgin Islands he started teaching himself to play the guitar. He would practice every day, trying to perfect his reggae style. On his twelfth birthday he got his first guitar. Living in Long Beach he got a healthy dose of many diverse genres of music. He got into other styles of music like punk rock. This started a brand new genre of music. From the time Brad got his first guitar, he started writing his own songs. At age thirteen he started his first band called Hogan's Heroes but the band didn't last very long

In 1986, Brad graduated from high school and went to college at U.C. Santa Cruz. He went to school there for three years, but he dropped out to focus on music. At about this time Brad found another musical love, hip hop. His mix of hip hop, reggae, punk, ska, dub, funk, and heavy metal seemed to be a product of the Long Beach youth. His college friend Eric Wilson, the bass player, and Brad decided to form a side band. Along with Bud Gaugh, the drummer and Lou Dogg, Brad's Dalmatian, they formed a band called Sublime .

Sublime was known as "The Garage Punk Band that Nobody Liked, but Everybody Wanted to Have Play at Their Party," playing at local clubs, college campuses, and backyards, Sublime quickly became the most popular band in the Southern California area. They would play in exchange for free beer. The money they made was also spent on beer and pot.

Brad and his friend Michael "Miguel" Happoldt, who was at the time in his own band named Ziggens, started a record label called records. Occasionally Brad would let the Ziggens open for Sublime. The two first released some demo tapes from the Ziggens. Each band's demo tapes were distributed at shows and local record stores. The most popular of these demo songs was "Jah Won't Pay the Bills." Brad wanted to go out and tour with all of his new material, but drummer Bud Gaugh decided to go into drug rehabilitation. Two years later SUBLIME started recording their first album. "40.oz of Freedom" was Sublime's first CD. Kelly Vargas sat in on the drums for the absent Gaugh. Sublime would sell the record out of the trunk of their car. They sold 60,000 copies this way. They were absolutely enormous in Southen California by now. Despite the recent success of Sublime , the band still hadn't landed a record deal. A desperate Brad Nowell went to find a record deal, and was rejected the first time. Brad didn't know what to do. He looked to all the greatest rock stars of the past. The only difference between himself and them was one that would destroy his life: They all did heroin. Brad started a two year "experiment," where he would shoot heroin to boost his creativity.

In 1994 Sublime came out with their second album entitled "Robbin' the 'Hood." A local radio station bought a copy of Sublime's original CD, "40.oz to Freedom," and played the song "Date Rape." The song was a huge hit, and MCA records asked the band to come in for a meeting and possible record deal. This was the break Brad had been waiting for. Sublime arrived at MCA records, along with their drummer Bud Gaugh, back from rehab. The band came to the record company, drunk. They waited three hours for their meeting. In that time they were rude and obnoxious, and Lou, the Dalmation, defecated on the floor. And also came out with a new record deal.

Brad's dream had come true. During one of his tours he met a girl named Troy Dendekker. He and Troy started dating. When Troy was around, Brad would just glow. He would always call Troy up to the stage, to show off what he had. In June of 1995 their son, Jakob James Nowell, was born. It seemed that his life was going wonderfully.

In early 1996 Sublime went to record their self-entitled album, but the pressure of making the album was too much. Brad's heroin problem was getting out of control. He put himself into rehab to clean up his life for Troy and Jakob. After six months, Brad came back home clean. He was once again in control of his life, and he was ready to finish his album.

With Brad's life finally back in check, and his engagement to Troy, Brad was very happy. As the new year rolled in, Brad celebrated with the band and his friends. He brought in the new year by shooting up heroin. Once again back with his family, and on May 18, 1996 Brad was married to Troy. Two days after the marriage, Sublime went on tour. On May 24th Sublime had just played a show in Petaluma, CA. He called Troy and told her how well the show had gone, and how happy he was. That was the last time Troy ever spoke to Brad.

After playing the show Brad went to and after party while the rest of the band went to the hotel. Early in the morning Brad busted into the room and woke Bud up to tell him about the 8 foot waves crashing on the beach, Bud just told him to leave him alone, he then went to Eric's room and got the same response... So he went down to the beach with Lou dogg and took in his last sunset. He returned to his room, and tied off one last time. The next day, on May 25, 1996 Sublime was ready to leave for the next tour city. They went to Brad's hotel room and knocked. No answer. The door was opened, Brad's Dalmation, Lou, was at the edge of the bed whimpering. Brad had died of a heroin overdose, just hours after speaking with his wife and band members.

The self-entitled album, Sublime, which was released after the death of Brad Nowell, sold 3.5 million albums, and made the band millions of dollars, which was all Brad had wanted. Now the remaining members of the original group have started a new group called THE LONG BEACH DUB ALL-STARS.

It's been a long and wild ride since SUBLIME played their first gig back in the summer of l988. Any local scenester will tell you they were there, and that it was this performance that ignited the infamous "Peninsula Riot" of Long Beach in an explosive July 4th engagement. SUBLIME, once the "below average garage punk band that every kid wants to play his party," has steadily escalated from backyard beer buddies, into a prestigious musical entity. Their underground credibility has landed them slots with everyone from The Melvins and The Vandals to Firehose, HR of Bad Brains and Eek-a-Mouse. They played the "bar-b-que" band on the LA stop of the Butthole Surfers-Stone Temple Pilots "Endless Bummer" tour. Sublime's recording history began in early '92 when they teamed up with Long Beach's legendary SKUNK RECORDS to create a cult masterpiece '40 oz. TO FREEDOM.' Two years, three vans, and five tours later, the CD has sold in excess of 30,000 units.- without a distributor! The "40 oz" record is still charting at the top of most local alternative retail charts two years after its initial release. Front man Brad Nowell contends, "We practically distributed the thing out of the trunks of our cars." Sublime's new release, 'R0BBIN THE HOOD' sold over 2,000 units in less than two weeks. Mixing an aggressive blend of thrash punk ethos with ska and dub rhythms, SUBLIME creates their own blend of sonic definition. "Hurtling hard-core punk passages are just the punctuation, not the entire grammar, of a band that also took significant cues from the reggae of Bob Marley," proclaims Mike Boehm in the LA Times Calendar. SUBLIME is on a mad mission of sound, utilizing samples off of everything from old Minutemen records, hip-hop fanfare, and conversations with street denizens, to just plain old bong sessions in the garage. Both albums were recorded for under $l0,000. That they didn't even bother to court the major labels says much for their refreshing, iconoclastic stance. The albums each contain nearly 20 tracks of Sublime's genre jumping "shtick" Some tracks on the new CD were recorded at world famous Westbeach Studios. Others are strictly econo-core 4 track home recordings, invoking the d.i.y. approach of say early Beastie Boys. SUBLIME have developed a nearly fanatical base of followers since 1989. SUBLIME is not just a band, but a direct representation of a culture inherent to Southern California's beach cities. SUBLIME is a style and a vibe encompassing music, attitude, and alternative meets hip-hop, and surf-skate fashion which remains most apparent in the young and growing audience which the band attracts at every show. Theirs is a definite "scene" taking place at a SUBLIME gig, This scene knows the words to all the tunes, and relates to the many musical voices of this versatile trio SUBLIME is the perfect musical accompaniment to adolescence, just ask your kids. Blending a love of dance-hall and rock-steady reggae rhythms with an aggressive punk ethic, sublime spread its garage hall gospel all across America, creating a rabid, grass-roots following everywhere they went, especially in the surf/skate/snowboard communities. Their indie debut album, 40 oz. to Freedom, including the edgy morality play "Date Rape," was originally recorded for under $1,000 and is now considered an indie cult classic. Resistant to being pigeonholed as a certain type of band, the instant hit nature of "Date Rape" (which actually took three years to be discovered by commercial alternative radio) left sublime fighting to let the rest of their music speak for what they were really about. As the band once described themselves, "[we're] not a one-off, blow-up all at once kind of band. Our goal is to create a long career of catalog pieces and a loyal and constantly growing fan base. And, of course, to get lots of free beer." The tragic death of singer/songwriter/ guitarist Brad Nowell this May cut the band's goal of a long-term career short. But not before sublime (Brad, drummer Bud and bassist Eric) recorded, a true study in versatility. Produced by legendary Butthole Surfer Paul Leary, sublime ranges from dancehall reggae to ska to psychedelic dub to Hendrix-influenced rock to early-'80s hardcore punk to amalgamations of all these styles. sublime's unique brand of genre-shifting musical experimentation yields unexpected--and remarkable--results in these eighteen tracks. Given that, it's no surprise that to date over one million copies of the album have been sold in the United States. sublime is a fitting tribute not only to this band's legacy, but also to the memory of Brad Nowell. Rolling Stone: Life After Death
The story of Sublime is full of sad, strange twists, but this is perhaps the strangest: Since frontman Brad Nowell overdosed before his band became a phenomenon, before he had a chance to become a bona fide rock star, his death has been oddly free of the mythic impact of so many rock star flameouts. Sublime's success has come as a slow-building surprise, rather than in a rush of mourning, and it's been based on the sweet fun Nowell cooked up during his too-short 28-year love affair with punk, hip-hop, reggae and whatever other music he could lay his hands on. Bradley Nowell died on May 25, 1996, in a San Francisco hotel room, after shooting up some heroin that was much more potent than the brown Mexican tar he was used to. His death came seven days after his wedding to Troy Denkker, who'd given birth to their son, Jakob, 11 months before the release of Sublime, the album that would make his band famous. The heroin death of the Smashing Pumpkins' touring keyboard player, Jonathon Melvin, got more attention in the press. In fact, plenty of Sublime fans don't even know that Nowell is gone. "We still get lots of letters for him" says Brad's father, Jim, who handles his son's estate. "I have a boxful of them in my office.". At least a boxful. By April 1997, a little less than a year after Nowell's OD, Sublime had entered Billboard's Top 20, and the album's first single, the breezily grooving, mostly acoustic hip-hop toaster "What I Got", went to No. 1 on the Modern Rock chart. And that was only the beginning. Throughout 1997, Sublime produced hit after hit, and the album has sold more than 2 million copies to date. The follow-up to "What I Got" was the reggae-tinged ballad "Santeria"; then came the shuffling ska of "Wrong Way" and the dance-hall-flavored "Doin' time" which Nowell constructed around the melody of the Gershwin standard "Summertime". Eighteen months after Nowell's death, Sublime sell about 40,000 records every week; in November, MCA released Second-Hand Smoke, a collection of early songs, unissued material, remixes and alternate takes. Sublime's surviving members recently inked a deal to release at least three more albums of archival material over the next few years. Incredibly, the band that is no longer a band has become perhaps the biggest American rock act of 1997. These are a few of the things Brad Nowell loved: surfing; eating; his dog, Louie; his son, Jakob; his wife, Troy; and music - maybe music most of all. He grew up gifted and musically inclined: His mother was a singer with perfect pitch, and his father liked to strum folk songs on the guitar. At Christmas, the acoustic guitars would come out and Brad would spend hours playing and singing with his father, grandfather and uncle. He devoured sounds, and could pick out a tune on the guitar after hearing it once. By the time he was 13, he'd started his own band, Hogan's Heroes. Nowell was 10 when his parents split up. He lived with his mom, Nancy, for four years before moving back to his dad's house in Long Beach, Calif., in 1981. He was a smart kid who got good grades and had the brains to make his younger sister, Kellie, do his homework whenever he didn't want to. "He was probably twice as intelligent as I am" she says, "but he just wasn't real school-minded". Guidance counselors had a name for what was wrong with kids like Brad who failed to live up to their obvious potential - attention-deficit disorder - and a drug for it, too: Ritalin. Unlike the wealthier, whiter suburbs of Orange County, where Brad's mom lived, Long Beach is a funky old port town of 450,000 with affluent bayside communities - Belmont Shore and Naples -and Latino, African-American and Southeast Asian neighborhoods father inland. With cheaper rents than Hollywood and lots of available space, Long Beach had a thriving art underground in the '80s, as well as a music scene in which punk, surf and hip-hop cultures clashed and blended freely. Nowell was a master at melding these sounds into something new. From Sublime's earliest recordings, his combination of ska, dub, punk, funk, rap, reggae and heavy metal seemed less like a synthesis than a natural byproduct of Long Beach's youth culture. Though there were few local clubs to play, house parties could bring a couple hundred bucks every week-end - enough to buy all the beer, pot and gasoline the band needed. In 1990, one semester before graduating from California State University Long Beach with a degree in finance, Nowell dropped out to devote all his time to the band. By then, Sublime were well-known up and down the coast; from San Diego to Santa Barbara, beach towns were their turf. In photographs from this period, Nowell looks like the prototypical So Cal surf rat: sun-bleached hair, wraparound shades and Hawaiian shirts. With his round face and easy smile, the cherubic singer gave off an air of bemused calm. But behind the mellow exterior, Nowell was troubled. "There was always a part of him that wasn't satisfied" says Troy Nowell. Sitting on the patio of Nowell's dad's house, overlooking the calm waters of Alamitos Bay, she recalls her three-year life with Brad. "As happy as he was 80 percent of the time, there was 20 percent that could not be made happy, and it ate him up.". Nowell battled with his addiction for most of the time Troy knew him, kicking when his record deal with MCA was in the offing, in 1994, and again when Troy got pregnant a year later. But friends say he could never be comfortable without the drug. Troy blames the Ritalin he was given as a child for having created his craving for drugs, but she blames something else as well: "He wanted to be a rock star. He said it was very rock & roll, you know. Perry Farrell and Kurt Cobain and all those guys did drugs, and Brad wanted to see what it was like. Then they honestly begin to think that they write better music! I mean, Robbin' the Hood (Sublime's second album) was written when Brad was at his worst of being strung out. It's a great album, but it's all about his heroin abuse: "Now I've got the needle/I can shake but I can't breathe/Take it away and I want more, more/One day I'm gonna lose the war.'". Sublime were a party band, they played house parties, beach parties, frat parties; and if there wasn't a party, they brought one with them. They were, people will tell you, lovable, but they were also, the same people will attest, out of control. They loved to get ######ed up, they loved to ###### things up, and they had many ways to doing it. Sometimes Nowell hocked the band's instruments before a gig in order to pay for his habit. Other times, the band would party too much on the day of a major gig and squander a golden opportunity. For instance: June 17, 1995 - Sublime are invited to play the KROQ Weenie Roast in Los Angeles alongside Bush and Hole, at a time when they have nothing more than two indie albums and a hot local single, "Date Rape". They print up 40 backstage passes for their friends, family and dogs. By the end of the day, Nowell's beloved Dalmatian, Louie, has bitten a record exec's little girl, and one of their pals just missed puking on MTV's Kennedy while she was interviewing the band. Here's the latest variant: In September 1997, Eric Wilson and Bud Gaugh - Sublime's bassist and drummer - fly to New York for the MTV Video Music Awards. The band has been nominated for the best alternative video. The duo's been drinking for most of the evening, and by the time their category comes up, Gaugh is melted into his seat and Wilson is sucking down a vodka tonic at the lobby bar. MCA reps corral them just before they win, and they're shoved onstage, followed by Troy Nowell and Marshall Goodman, the group's DJ. Dazed in the spotlight, Gaugh performs a little jig and mumbles a few thank-you's to friends and family. Then, the hulking Wilson holds up the band's shiny statuette, raises a fist and incongruously blurts out, "Lynyrd Skynyrd!" Gaugh, realizing that his band mate's comment might need clarification, adds "for writing the tune 'Workin' for MCA.'" In the midst of this stoned spectacle, Goodman comes to the rescue, pointing out very soberly, "This is all for Bradley Nowell-peace.". A month later, Wilson and Gaugh are in more familiar environs - sitting with their girlfriends around a picnic table at Long Beach Sport Fishing, a tackle shop, seafood restaurant and boat-charter operation that looks like it's been perched on this rusty waterfront since long before oil refineries dotted the landscape. Wearing wraparound sunglasses, a loose T-shirt, shorts that reveal several tattoos, and a fresh buzz cut, Gaugh is itching to explain his and Wilson's onstage blunders back in New York. "It all started with the tequila," Gaugh begins. The day before the show, the drummer had been fishing with his girlfriend in Cabo San Lucas, a party town at the tip of Mexico's Baja Peninsula, and he purchased in $85 bottle of tequila as a gift for his dad. But by the time he met up with Wilson the next day in New York, the bottle looked too good to save. So the two decided to "have a little victory shot," as Gaugh puts it. "We thought, '###### it, even if we don't win, let's drink this ######.' So by the time we got onstage, man, we were wasted." He gazes out at the fishing boats swaying by the dock. "I guess we forgot to thank a couple of people.". Wilson, clutching a jet-fueled margarita, shudders at the memory. "See, we were already pretty buzzed back at the hotel when I said to Bud. 'You know, if we win, we should say "Lynyrd Skynyrd!" Bud had mentioned something about the song they did about working for MCA. So when we actually got up there, I was so flabbergasted that I just go, 'Lynyrd Skynyrd!'. That's all I could say.". The conversation drifts to memories of Sublime's early days. "It was [the most] fun for us when we were traveling around in a van and crashing on people's floors," Wilson says wistfully. These days, Wilson and Gaugh start most morning with a bong hit and continue smoking well into the night. Wilson's thrashed two-story Victorian house in Long Beach is their headquarters and the practice space for their new band, the Long Beach Dub All-Stars. It has the feel of a college hang-out, with a revolving cast of characters lounging on the couches and chairs, beer bottles covering every flat surface, bongs on the end tables and three Rottweilers that bark viciously and gnash their teeth at newcomers. Wilson and Gaugh, whose families lived across an alleyway from each other, have been friends since childhood, when they first started playing music together and surfing at nearby Seal Beach. When punk bands like the Minutemen came to town, Gaugh and Wilson were always at the edge of the stage. (In fact, the Minutemen lyric "punk rock changed our lives" was sampled as the first line on Sublime's 1992 debut, 40 Oz. to Freedom.). Wilson's dad, Billy, a drummer who toured with big bands in his youth and played on a cruise ship during the Depression, was Gaugh's drum teacher. Though Billy Wilson was much older than the parents of Eric's friends, he was also much cooler; it was he who introduced his son to marijuana. "He got into it while he was hanging out with all those jazz cats, I guess," Eric says of his dad. "He smoked now and then, and to hide the odor he carried around a little bottle of Binaca". Wilson played trumpet for a while but says he sucked at it and switched to guitar and then bass. When he was in sixth grade, he met Nowell. The two began playing music together before Nowell took off for Santa Cruz, to start college at the University of California. During one of Nowell's breaks from school, Wilson introduced him to Bud Gaugh, and the three started jamming together. After recording several DIYX cassettes and selling them at shows, Sublime went into a Long Beach studio in 1992 to record 40 Oz,. to Freedom. The album, which the band released on its own label, Skink, did well on a word-of-mouth basis. But by then Nowell had begun experimenting with hard drugs, and by the time Sublime began work on the follow-up, Robbin' the Hood - most of which was recorded in a Long Beach crack house - his addiction was out of control, Gaugh attempted to reach out to his band mate - though often in destructive ways, "I felt like kicking his ass," recalls Gaugh, who himself had been hooked on speed and heroin for years. "I mean, I'd been there and was still struggling with it. So I was all things that I could be to him during that time. I tried to be his conscience; I tried to be his nurse. I even tried to be his drug buddy; I mean, we got loaded together a couple of times." Nowell met Troy in 1993, at a Sublime show in San Diego. "We were just friends at first and we stayed friends for a long time," she says. "It wasn't until '95 that we started seeing each other." As Nowell alienated his friends, family and band mates, Troy was the one person who was there for him to talk to. "He'd already promised everybody that he would stop doing it and had asked for help," she says. "People would help him and then he'd hurt them. So when I came along, I hadn't been fooled by him yet." The prospect of signing to a major label was a big deal for Nowell, so when Sublime began talking with MCA, in 1994, he was determined to really clean up. "He decided on his own that he wanted to go to rehab," says Troy. "He knew he had to get clean before the MCA thing could happen." Nowell did get clean for a while, but in February 1996, when the band traveled to Austin, Texas, to begin recording Sublime at Willie Nelson's Pedernales Studio with producer Paul Leary of the Butthole Surfers, Nowell went back to heroin more vigorously than ever. "They're the sweetest bunch of guys, [but] it was chaos in the studio," Leary says. On good days, they'd show up at 9 a.m. with margaritas in one hand and instruments in the other and go to work; on bad days, they nearly burned the place down. "There were times where someone had to go into the bathroom to see if Brad was still alive," he says. Nowell's drug use became so intense that Leary sent him home to Long Beach before the record was completed. "It took him three days to get back on his feet," Jim Nowell recalls. "It was the worst I'd ever seen him." The skies above Long Beach are clear today, and Troy Nowell is sprawled on a lounge chair on the back patio of her in-laws' house, a modest yellow-paneled, two-story home in a well-kept neighborhood. She has long, blond-streaked hair and is dressed in black running shorts and a white baby tee that partially exposes a rose tattoo on her right arm. When she speaks, her voice has a coarse, cigarette-wrecked edge. "Did you see the tattoo on my back ?" she asks, turning to reveal a pair of Chinese characters. "The top one means 'to be in mourning,' and the bottom one means 'husband'." She laughs and lights another Marlboro as 2-year-old Jakob runs around in a tiny T-shirt with BIG KAHUNA scrawled across the front.. "He was very bad at the grocery store this morning." she says. "He's acting much better now, aren't you, Jake?" Jakob nods vigorously, and you can see Brad in his face and Troy in his half-moon eyes. "Sometimes Jake will say something that I want Brad to hear so bad"' she says, "but he can't, because he's gone." Troy Denkker was born and raised in a San Diego household where drugs and alcohol were always around. Her mother was hooked on speed throughout Troy's childhood, and her father was a biker who held frequent parties at the house. "They were wonderful people," Troy stresses. "I loved them all. I mean, they were real." Troy will look you straight in the eye and tell you exactly why she was attracted to Brad Nowell. "I love drug addicts," she says. "I went to see that movie Boogie Nights the other night, and you know, I knew all those people. When it was over, I turned to my girlfriend and that's just what I said: 'I love drug addicts.' I guess they're just the kind of people I'm used to being around. They're great; they're crazy." Troy, who is studying to be a substance-abuse counselor, says she and Brad spent a lot of time talking about his problems. "I was very understanding." she says. "And Brad was so open about it. He used it as a way of getting attention. That's the sick thing about heroin addicts. They're like, 'Take care of me'. They're like puppy dogs. And I guess I wanted to take care of him." She was also more than ready for him to clean up when he decided to go back to rehab in 1995, soon after Troy found out she was pregnant. "In the beginning I was real accepting of his behavior, but then there was much more a stake," she says. "We'd bought this beautiful house, we had our beautiful son, we were about to get married and it was driving me crazy. I felt like I didn't have anyone to turn to. His whole attitude was, 'Look at everything we've got - I can have reward every now and then.' He wanted to reward himself,. It was like, 'I'm not hurting anyone, I'm just doing it this one day.'". But one day turned into a week, and pretty soon Brad was in trouble again. "It scared the hell out of me," Troy says. "And the thing that was so horrible is that when he would get high, he'd be so euphoric and so happy. I was like, 'Why can't you be this happy when you're not on it?'" She pauses and looks away. "It got really ugly," she finally says, "and that tore him up. "You know, the one thing that gave me the most peace after Brad died," she continues, "was when his first love, Eileen, came to me and said, 'He did everything that he wanted to do, and he went to sleep. He was tired and went to sleep.' The way she put it was exactly true. Brad was so tired - he really was. He was tired of letting everyone down, of letting himself down; he was tired of trying to stay clean, tired of everything." Even though Nowell died too soon to experience his band's success, for Troy his death was like the final chapter in a long, exhausting journey. "Brad had accomplished everything he wanted," she says. "He always wanted to have a baby; 'We gotta have a kid,' he said. He wanted to get his family back, 'cause he had hurt them so bad with his drug use. And he did. He wanted to get this album written, and he wanted it to be the best one he ever wrote. And he did. He wanted his band to have glory. And they did." She lights another cigarette. "I'm not saying that it's OK that Brad died, because it's not OK. So many things have happened that I wish he could see - Sublime being nominated for awards and their videos being on MTV all the time and their songs played on the radio. Or things will happen with me, and Brad's the first person I want to tell, 'cause we were best friends. I want to see his reaction to all this. What's OK is [that] there's no more struggle, no more war. That struggle took up a lot of our energy and our time, and it was horrible. He's at peace now." Jim Nowell and his second wife, Jane, are flipping through a photo album that shows Brad from birth through his teen and college years, his emaciated drug years, and his wedding , a Hawaiian-themed extravaganza in Las Vegas, when he had filled out again and gotten some color back in his face. Him, a burly, affable guy, was a contractor until he retired to manage Sublime's affairs. Last Fourth of July, he and Jane threw a big backyard barbecue and invited Brad's old posse. The Long Beach Dub All-Stars jammed most of the afternoon. When they got around to playing Brad's songs, Jim and Jane were shaken and had to go inside - they didn't want their grief to spoil anyone's good time. The first time she met Brad , says Jane, she was astonished at his good behavior. "I remember telling Jim, 'Gee, you did something really good with this kid. I've never seen a boy who is so polite and interested in his elders. 'Even when he got into his teens, he would always offer his chair to you." She loved Brad from day one, helping him through his best years as a student and musician, as well as his worst years as a drug addict. Jane defended her stepson's decision to get a tattoo - even when his father opposed it. "It was kind of like an Aztec design that went from his knee to his ankle," she says, remembering the day he came home with it. "Well, Jim's sitting here looking at it, and he says to Brad, 'So, how long is that thing going to be on there?' , 'It does wash off, doesn't it?'" Jim adds. Jane laughs. "Brad and I just look at each other because we're thinking, 'He's kidding,' you know. And then we look at Jim and we see that he's not kidding. So I go, 'Jim that's not the wash-off kind of tattoo.' And Jim goes, 'It's not ?' I mean, it was a huge tattoo!". To prove her loyalty to her stepson, Jane hikes up her pant leg and show me her own new tatto. It's the image of the sun from the cover of 40 Oz. to Freedom. There's a party going on at Eric Wilson's house, which is on the edge of one of Long Beach's more unsavory neighborhood. Wilson and the Dub All-Stars are jamming on an old Skatalites tune when Jim Nowell drops by for a visit. Before long, Nowell picks up an acoustic guitar and joins in, playing and singing. As the group moves from the Skatalites to a silly version of "Puff the Magic Dragon" and then to a free-form Deadlike jam, everyone in the house - including a gangly couple who'd been playing pool in the front room, a couple of dudes just back from a beer run, and Opie Ortiz, a shirtless tattoo artist who had earlier been working on a customer - pack into the room, listening intently to the deep, warm croon of the elder Nowell's voice. At one point, Wilson, hunched over his upright bass in a SURF AND SAIL tank top and mismatched sneakers, turns to Nowell and smiles. "Hey, Jimbo," he says, "play some of those real old songs that you know. How 'bout 'Minnie the Moocher?'" Over the next hour, the group runs through a set of pop, folk and country hits, like "Ain't She Sweet?" "Smoke Gets in Your Eyes" and "Okie From Muskogee." By the end, the blue-collar cool of this posse of tattooed skate-punks has turned to blissful, drunken, giddy exuberance. Then, suddenly, the mood turns wistful. "Hey, Jimbo," asks Jack Maness, who's been playing acoustic lead guitar, "what about 'Sunny'?" He is referring to the old Bobby Hebb song that Jim and Brad used to play together at backyard parties at the Nowell's home. "I remember one day Brad said to you, 'I wanna do it like this, Dad', and you told him, 'Yeah, son, but this is how it goes.'" Everyone in the room erupts in laughter. The kind of laughter that brings tears. It's a laughter that has positively conjured the ghost of Brad Nowell - right here, right now, in the wee hours of an October morning in Long Beach. It's a few moments before Wilson's gregarious girlfriend, Kat Rodriguez, breaks the silence: "Now, that's Brad for you - in a nutshell," she says. "He was going to do things his way or no way. That's why no band will ever sound like Sublime."

Bradley Nowell By Melissa Green

May 25, 1996 is a day all beloved and true Sublime fans will never forget. The lead vocalist/guitarist Bradley Nowell was found dead by his fellow bandmate Bud Gaugh at 11:30 AM in a San Fransisco hotel room due to a heroin overdose. He died at 28 leaving behind a band, a wife, a son, and one of the most endearing albums of 1996: Sublime. The album is in a category of its own mediating reggae, folk, and punk rock. During recording of the self-titled album it was one of the hardest times for the band. Brad, having his ups and downs with heroin and battling his addiction created alot of stress for everyone. However, this was how Brad felt it was easiest to express himself; on heroin.

Brad's music was truly unique. It was filled with passion and when he sang he would sin his heart out and went for it all the way. He would sit on street corners and just play his guitar and sing. His art and his creativity can only be described as a gift.

Brad was one of those great people that are hard to come by. Kurt Cobain had that same inspiring influence on the world but he did not have the simplicity that Brad had. Brad has so much honesty in his voice. For example in the song "Pool Shark" the very last lyrics of the song are "One day im gonna lose a war." He performed this song with so much emotion that the crowd could feel the pain in his heart as he sang the words. The words of his heart have changed peoples' lives. They have made a few of this generation not want to face the consequenses Brad faced the last few years of his life.

Brad was an inspiration to many of his fans and to many musicians of today. His music, his life, and most of all his passion will never be forgotten.


Official Releases
CD Tape Vinyl
40 oz. to freedom (1st printing - Skunk Records) f/ (GET OUT and RAWHIDE)
40 oz. to freedom (Gasoline Alley/MCA)
Robbin' the Hood (Gasoline Alley/MCA)
Sublime (Gasoline Alley/MCA)
Second-Hand Smoke (Gasoline Alley/MCA)
Stand By Your Van Live (Gasoline Alley/MCA)

Jah Won't Pay The Bills (Skunk Records)
Chiva Kenevil (Skunk Records)
Killin' It (Skunk Records)

Date Rape (Skunk Records)
Badfish (Skunk Records)
What I Got EP (Gasoline Alley/MCA)
Doin' Time (Gasoline Alley/MCA)

40 oz. to freedom (Australian version - Skunk/Liberation)
40 oz. to freedom (Japanese version - Gasoline Alley/MCA)
Robbin' the Hood (Australian version - Skunk/Liberation)
Robbin' the Hood (Japanese version - Gasoline Alley/MCA)
Living in a Boring Nation (Australian - Skunk/Liberation)
Sublime (Canadian import w/ sun cover - Gasoline Alley)
What I Got (Australian version - Gasoline Alley/MCA)
What I Got (UK version - Gasoline Alley/MCA)
Sublime Special 2 CD Set (Holland version - Gasoline Alley/MCA)
Doin' Time (Swedish Version - Gasoline Alley/MCA)

13 fl. oz. Songs (1st printing - Skunk Records)
*13 fl. oz. Songs Radio-Friendly (2nd printing - Skunk Records)
*13 Fl. Oz. Songs: 13 (Plus 2 hidden) track promo first issue (SKUNK) (94)
*13 Fl. Oz. Songs: jewel case and back sticker and no art (SKUNK) (94)
Badfish (Skunk Records)
Badfish Single (Skunk)
*1997 Badfish Promo (MCA)
*1998 Badfish single (MCA)
Badfish Radio Promo (skunk)
Ebin (Skunk Records)
All You Need (Skunk Records)
40 oz. to freedom Advance Copy (Gasoline Alley/MCA)
Robbin' the Hood Advance Copy (Gasoline Alley/MCA)
Sublime Advance Copy (Gasoline Alley/MCA)
Sublime Advance Copy II (Gasoline Alley/MCA)
Sublime In-Store Play (Gasoline Alley/MCA)
Sublime Radio Edit (Full Length)
What I Got No Mofo Edit (Gasoline Alley/MCA)
What I Got Very Clean Radio Version (Gasoline Alley/MCA)
What I Got (Gasoline Alley/MCA)
Santeria (Gasoline Alley/MCA)
Wrong Way (Gasoline Alley/MCA)
Wrong Way (1 track - Gasoline Alley/MCA)
Wrong Way Hit Version (MCA)
Doin' Time (Gasoline Alley/MCA)
Doin' Time Advance Copy (Gasoline Alley/MCA
Second-Hand Smoke Advance Copy (Gasoline Alley/MCA)
Badfish (Gasoline Alley/MCA)

3 Ring Circus Sampler (Skunk Records)
Skunk Records Sampler 1996 (Skunk Records)
Skunk Records Spring Sampler 1997 (Skunk Records)
Second-Hand Smoke Advance Copy (Gasoline Alley/MCA)
The Jacked Hempfest Info Kit (Skunk Records)

Work That We Do 7" (Skunk Records)
Date Rape 12" (Skunk Records)
Date Rape (green)
All You Need 7" Split (Skunk Records)
What I Got 12" (Skunk Records)
What I Got 7" (Gasoline Alley/MCA)
What I Got 7" England import
Robbin the Hood 12"
40 oz. to Freedom 12"

What I Got Black Label 12" (Skunk Records)
Doin' Time White Label 12" (Gasoline Alley/MCA)

Living in a Boring Nation
Doin Time
What I Got

*STP Demo

Board in Orange County (Warped Tour '95 Sampler - Hot Mustard Records)

WBCN Boston, MA 4/5/94
Pit Stop - Radio Free w/ The Ziggens (Skunk Records)
KROQ Radio Interview w/ No Doubt 1/10/97, 30 min
Raleigh Theodore Sakers 40 min (Skunk Records)
*Interview with Eric and Miguel
*Eric and Bud appear on Loveline 1996 FM

*Saturday Morning Cartoons' Greatest Hits (MCA Records)
Hempilation (Capricorn Records)
*Misfits of Ska (Asian Man Records)
Punk Rock Jukebox (CherryDisc Records)
Punk Sucks (Liberation Records)
Ska vs. Punk: Round 2
Ska Parade: Step On It
Step On It (A to Y Productions)
*Mall Rats (MCA)
Vans® Warped Music Sampler (Warped Tour '96 promo - Uni Distribution)
Go Big (CD-ROM - Om Records)
*Collision 4 (Australian Import - Mushroom Records)
MOM (Surfdog/Interscope Records)
*Fox Hunt Original Soundtrack (promo - Rhino Records)
*Glory Daze (Kung Fu Records)
*A Year in Review '96 (The Musicland Group)
Out of Order (radio interview promo - Westwood One)
Out of Order II (radio interview promo - Westwood One)
Out of Order III (radio interview promo - Westwood One)
X Games (promo - Tommy Boy Music)
MOM II (Surfdog/Interscope Records)
Tromeo & Juliet (Oglio Records)
Take Warning: The Songs of Operation Ivy (Glue Factory Records)
Hey Brother...Can You Spare Some Ska? (Vegas Records)
Hey Brother II (Vegas Records)
Skunk Records 1997 Fall Sampler (Skunk Records)
Skunk Records 1997 Fall Sampler (promo - Skunk Records)
Skunk Records 1998 Spring Sampler (Skunk Records)
Orange County's Punk Vs. Ska: Round 2 (Skratch/Ray Records)
The Sno-Core Compilation (Foil Records)
A Wicked Good Sampler Volume Two (Universal)
CMJ New Music Sampler Vol. 54 (promo - College Music)
3 Ring Circus (Sublime, Lordz of Brooklyn, and Wesley Willis Fiasco)
Skunk Sampler '95 Cassette (Skunk Records)
Skunk Sampler '96 Cassette (Skunk Records)

vinyl Saturday Morning Cartoons' Greatest Hits 12 (MCA Records)
vinyl Glory Daze 12 (Kung Fu Records)
vinyl KRS-ONE Heartbeat / A Friend 12 (Jive Records)
(Special Guest Appearances)
No Doubt The Beacon Street Collection (Beacon Street Records)
Slightly Stoopid (Skunk Records)
KRS-ONE Heartbeat / A Friend (Jive Records)

12/4/94-Raleigh Theodore Sakers
*Dauchau Cabana (full version, from original Firecracker Lounge)
*Sublime I
*One Last Time CD
*Spaced Crue Remixes
Firecracker Lounge Radio Promo Version

On the Edge (Bradley radio interview disc - Westwood One)
On the Edge II (Bud & Eric radio interview disc - Westwood One)
Off the Record Special (Bradley radio interview disc - Westwood One)
*Off the Record Special - Show #97-29 (music and interviews with Sublime members)
*On the Edge - Show #97-01 (music and interviews with Sublime members)
*On the Edge - Show #97-19
*On the Edge - Show #97-38
*On the Edge - Show #96-36
*On the Edge or Off the Record - Radio promos featuring Sublime

(Music Videos)
Doin Time Video Promo (MCA)
Doin Time Video Promo (the real deal)
Date Rape Promo - uncensored version 4 min (Skunk Records)
Badfish Promo - uncensored version 3 min (Skunk Records)
STP Promo - uncensored version 3 min (Skunk Records)
What I Got Promo - uncensored version 3 min (Gasoline Alley)
What I Got Promo - censored version 3 min (Gasoline Alley)
Santeria Promo - uncensored version 3 min (Gasoline Alley)
Wrong Way Promo - censored version 3 min (Gasoline Alley)
Badfish Promo - '97 revised version 3 min (Gasoline Alley/MCA)
*Hong Kong Phooey - on Saturday Morning Cartoons' Greatest Hits 4 min (MCA)

(Home Videos)
Home Video Promo (MCA)
Home Video (Gasoline Alley/MCA)
Warped Tour footage
Warped Tour promo video (Skunk)
Sublime (MCA)
*Josh Fischel Director's Reel Video (Skunk) 12 min
*Sublime :30 Cut Promo Evil Twin Prod.
*Sublime :30 Cut #2 Promo Evil Twin Prod.
*Sublime :25/:05 Promo Evil Twin Prod.
*Sublime : Promo 1.W/O Quotes 2.With Quotes MCA/Evil Twin Prod.

*EPK (Electronic Press Kit) 10 min (Skunk Records)
Skunk's Rough Mini-Movie 20 min (Skunk Records)
Sublime Mini-Movie 20 min (Skunk Records)
Tour Video (Short 2) 10 min (Gasoline Alley)
The Tour Short 14 min (Gasoline Alley)
The Tour Long (MCA) mini-movie promo
*Eric and Bud on 120 Minutes
VH1 Short Documentary on Brad's death 10 min
Stories, Tales, Lies, & Exaggerations 151 min (Skunk Records)

Memories (Tressel Tavern) (1000)
Sinsemilla (86-96) [Dog Gone Blues]
It all seems so silly in the long run [Live Shooter]
Bradley Accoustic (2/2/95) (2 printings) (Firecracker Lounge) [Bong Hits with Bradley]
bumS lie (The psycho samantic police)
Pure Anus
Contact Buzz (Hollywood-Palladium-10/21(25)/95)
Shootin up in Beantown (Boston 4/10/96 (MAMA KIN'S))
Smokin it up (Bradleys Tokin Days)

Providence RI (Ocean Mist) 4/7/94
Catalina CA 7/95 or (May 96)
Boulder CO 95 (Fox Theatre)
Coping With (Last Show)(60 min)
T.T. Bears (Boston) (((WBCN))) 4/5/94 (Boston radio show)
Kommotion (San Francisco) (9/9/94)
June 17, 95 (KROQ WEENIE ROAST) w/ Gwen
Wetlands (NYC)
HOB 96 House of Blues 4/5/96 (LA)
San Diego 11/11/95
Demos and Outtakes 95-96
The Metro (Chicago IL) (4/20/96)
Kuci Ska Parade (radio broadcast)(Irvine,CA)(3/5/94)
Las Palmas Theatre (2/17/95) (Hollywood)
Las Palmas Theatre (12/4/94) (Hollywood)
Dominguez Hills CA (Olympic Velodrome) (5/6/95(96)) f/ Ron Jeremy
Ft. Lauderdale FL - (Brad & Eric acoustic) (8/13/95)
Camden NJ (Warped Tour) (Blockbuster Pavillion 8/17/95)
North Tonawanda NY (Warped Tour) (Wurlitzer Park 8/20/95)
Irvine CA (Warped Tour) (Frazier Park 9/4/95)
Washington DC (Capitol Ballroom 4/13/96)
Cleveland OH (Peabody's Down Under 4/17/96)
Cleveland OH (4/19/96)
Las Vegas NV (The Huntridge) (aka "The Good Always Die Young"-vid)
Las Vegas, Nevada 1996 (Las Vegas NV)
Indialantic FL (The Zoo & The Groove Tube)(3(24/25)95)(aka "A Day in the Sun"-vid)

A Day in the Sun (ACG) (Las Vegas NV (The Huntridge))
Las Vegas Nevada 1996 (35 min)
The Good Always Die Young (Skunk) Indialantic FL (The Zoo & The Groove Tube)(3/24 & 3/25/95)
Hollywood CA Las Palmas Theatre 12/4/94
Hollywood CA Las Palmas Theatre 2/17/95
Hollywood CA 10/21(25)/95 The Palace
Dominguez Hills CA Olympic Velodrome 5/6/95 (96)(48 min)
Ft. Lauderdale FL Brad & Eric acoustic 8/13/95 (17 min)
Camden NJ (Warped Tour) Blockbuster Pavillion 8/17/95 (25 min)
North Tonawanda NY (Warped Tour) Wurlitzer Park 8/20/95 (5 min)
Irvine CA (Warped Tour) Frazier Park 9/4/95 (30 min)
Washington DC Capitol Ballroom 4/13/96 (30 min)
Cleveland OH Peabody's Down Under 4/17/96
Cleveland OH 4/19/96
House of Blues 1996
Firecracker Lounge
Boston MA TT Bear's 4/5/94
Providence RI Ocean Mist 4/7/94

Go Here For The Above Discography With Pictures .

The above text was contributed By Skunkx and was not edited at all . Discography was added by Angusyoungfan .

Thanks Mistymountainhop
user posted image
SRV One Heart One Soul One True Legend

#2 ee40oztofreedom

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Posted 03 October 2003 - 03:33 PM

this is so awsome!

good job skunk!!!

I always thought it was weird my dads b day is on the day he died... is this a sign?

R. I. P. Bradley

#3 bnowell09

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Posted 18 October 2003 - 06:52 AM

that is great man. good work! cool.gif

#4 surferdude9812

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Posted 15 July 2005 - 03:26 PM

sublime is the greatest band beyond all others

if brad nowel didnt die the world would be a much better place

#5 kooldood1


    the love is not enough

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Posted 15 July 2005 - 05:36 PM

i wonder how much those original 40oz cds are worth now

#6 Pags1300

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Posted 17 July 2005 - 09:01 PM

You're Biography is strewn with many untruths. I don’t know what websites you’ve been reading, but maybe you should buy the book, or watch Stories, Tales, Lies, and Exaggerations.

#7 sledgehammer83

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Posted 28 August 2007 - 05:52 PM

Bradley has just been beyond influential to me ever since I first got into Sublime.


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